This program surveys two centuries of art and culture in the city now known as Tokyo. Ceramics, screens, textiles, prints, paintings, and armor are among the materials discussed.

The goal of this unit is to introduce students to the basic elements of art (color, line, shape, form, and texture) and to show students how artists use these elements in different ways in their work. In the unit, students will answer questions as they look carefully at paintings and sculpture to identify the elements and analyze how they are used by different artists.

Stephen Farthing R.A. presents eight practical drawing classes using John Ruskin's teaching collections to explain the basic principles of drawing. This series accompanies 'The Elements of Drawing', a searchable and browsable online version of the teaching collection and catalogues assembled by John Ruskin for his Oxford drawing schools.

This text explores the visual and performing arts (art, music, dance, theatre).
Chapter 1: Elements, Vocabulary, and Iconography of Visual Art
Chapter 2: Mediums in Visual Art
Chapter 3: Ancient Arts (Prehistoric, Ancient Near East, Egyptian)
Chapter 4: Classical Period to Middle Ages
Chapter 5: Renaissance to Realism
Chapter 6: Impressionism to Modern
Chapter 7: An Introduction to the Theater and its Elements
Chapter 8: The Greek Origins of Western Theater
Chapter 9: Technical Theater
Chapter 10: The Actor's Craft
Chapter 11: Other Theater Traditions
Chapter 12: Introduction to Music
Chapter 13: Music in the Middle Ages and the Renaissance
Chapter 14: Baroque and Classical Music
Chapter 15: Music of the Romantic Era
Chapter 16: Music of the 20th Century
Chapter 17: Introduction to Dance
Chapter 18: Elements of Dance
Chapter 19: Dance History and Styles

One of the few available guidebooks of its kind, this manual approaches figure drawing from the draftsman's point of view. With a clear focus on surface lines and prominences, step-by-step instructions and over 300 illustrations guide artists in accurately sketching all aspects of the human form in lively action and repose.Beginning with method and proportion, the author discusses the drawing of lines, contours, planes, masses, and rounded forms. Moving on to the individual parts of the body, simple principles of anatomy are applied to demonstrate techniques for sketching the head and neck, the trunk, the upper and lower limbs, and the digits. Expertly rendered figures are shown in various positions and movements, and from all angles, for the most thorough, concise instruction. Brimming with the basic elements necessary for creating quality works of art, Figure Drawing also includes guidance for drawing drapery, revealing the main points of support on the body and the proper way to sketch the folds and forms of garments. Immensely practical and highly readable, it is a manual that artists of every level will turn to again and again.

Foundation Drawing for Art 1100 serves as the primary text for the course of the same name at the UNO School of the Arts.

Introduction
ART 1100: Foundations Drawing Syllabus
Foundations Vocabulary
Learning outcomes and materials
Understanding the Elements of Art
Two Dimensional Drawing
Life Drawing

Elements
Section introduction
Chapter 1: Overview of Line
Chapter 2: Line Reading and Exercises
Chapter 3: Overview of Shape
Chapter 4: Shape Readings and Exercises
Chapter 5: Overview of Value
Chapter 6: Value Readings and Exercises
Chapter 7: Overview of Texture
Chapter 8: Texture readings and exercises
Chapter 9: Overview of Color
Chapter 10: Color Readings and Exercises

The emphasis in this course is about establishing the kinds of habits and techniques that you can build upon if you choose to pursue visual media production further than the extent to which this course is designed.

This book contains all of Smarthistory’s content for the Ancient Aegean, including Cycladic, Minoan, and Mycenaean art.

This book contains all of Smarthistory’s content for Sumerian, Akkadian, Neo-Sumerian / Ur III, Babylonian, Assyrian and Persian art.

This book contains all of Smarthistory’s content for Italian art in the 1300s.

This course is designed to teach students the elements of design. Students learn to create an impact through the use of color, fabrics and textures. Instruction includes the history of interior design, furniture styles, design theory, and project presentation. Students will learn to determine the scope of a project, develop and present a proposal, and implement a project. Communication skills, interpersonal skills, teamwork, and ethics are addressed. English language arts and math are reinforced throughout the course.

Looking at art is not an easy, straightforward process, even though it often feels natural.

The power of art can be immediate, striking, even arresting. We are now living in what is the most media-saturated era of world history, as we are bombarded with visual images constantly, but we have very little training in how to critically interpret these images. The fundamental tools are not taught to children in school. Looking—deep, careful looking—is not as simple as it seems. It is the aim of this book to teach the skills needed to decode art, to provide you with tools you can apply to all of the visual data around you.

In this course, you will explore a wonderfully diverse array of works. They will likely strike you as beautiful or ugly, stunning or strange, funny or compelling, or any combination of these reactions at once. Art does not have to be beautiful or uplifting. Likewise, though, it does not have to be dark and serious. There are no limits on the moods and ideas art can or should convey. There are, though, tools and tricks through which artists convey these moods and ideas. These visual techniques, above all, will be the subject of this book.

This textbook, designed specifically for C-ID ARTH 110 and produced by a team of art historians working within the CCC system, curates Smarthistory and other scholarly resources into a coherent textbook by providing chapter introductions, a comprehensive glossary, and explanatory editors’ notes. Throughout, it acknowledges and explores the historiography of art history and brings in global connections to provide a broader, more diverse, and more inclusive survey of art history from the Paleolithic through Gothic periods.

The human figure, with its myriad curves and contours, can be challenging for anyone to draw. In this invaluable reference, well-known art instructor and author E. L. Koller simplifies the process, making it easy for artists to learn new methods of rendering the figure--in action and repose--with accuracy and style. Using figure-drawing exercises, numerous photos, and illustrations, Koller reduces the task at hand into manageable steps for intermediate and advanced artists. Beginning with drawing basics, this step-by-step guide explores the structure of the human figure and the comparative proportions of child and adult figures, showing how to depict individual parts of the head and body, facial expressions, and gestures. It also shows the merits of sketching from memory; drawing from casts, photographs, and living models; and sketching both undraped and costumed figures. Once the still figure is mastered, the artist can explore the more challenging action poses, including walking, running, and catching. Filled with guidance and insight on the human form, Life Drawing is an essential addition to every artist's reference shelf.

"Form," writes the author, "is developed by means of light and shade; without these every object would appear flat." Originally published in the mid-nineteenth century, this classic approach to three-dimensional drawing was the first book to provide art students with instructions for correctly illustrating perspective outlines of various objects. An art historian noted for her authoritative reference works, Merrifield clearly demonstrates the principles of light and shade by revealing the effects of common daylight, sunshine, and candle or artificial light on geometrical solids. Her simple explanations are accompanied by illustrations of cubes, prisms, pyramids, cylinders, spheres, ovals, and cones.As useful and practical today as it was when first published well over a century ago, Light and Shade provides beginning and advanced art students with valuable insights into effective drawing and sketching.

What is 3D Design, and what makes it so different from 2D Design? Through this chapter, you will be introduced to the concepts, language, and principles of 3D Design, and explore translating a 2D drawing into a 3D object.