The Gothic style brought both divine light and soaring height to medieval churches.
- Subject:
- Art History
- Arts and Humanities
- Material Type:
- Lesson
- Provider:
- Smarthistory
- Date Added:
- 09/08/2021
This endorsement is applied to Open Educational Resources that have been reviewed by Virginia faculty.
The Gothic style brought both divine light and soaring height to medieval churches.
Great Writers Inspire presents an illuminating collection of Emily Dickinson resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.
Great Writers Inspire presents a collection of F. Scott Fitzgerald resources curated by specialists at the University of Oxford. It includes downloadable electronic texts and ebooks, and background contextual resources.
Great Writers Inspire presents an illuminating collection of Geoffrey Chaucer resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.
Great Writers Inspire presents an illuminating collection of James Joyce resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.
Great Writers Inspire presents an illuminating collection of Jane Austen resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.
Great Writers Inspire presents an illuminating collection of John Milton resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.
Great Writers Inspire presents an illuminating collection of Virginia Woolf resources curated by specialists at the University of Oxford. It includes downloadable electronic texts and eBooks, and background contextual resources.
Great Writers Inspire presents a collection of Walt Whitman resources curated by specialists at the University of Oxford. It includes downloadable, electronic texts and ebooks, and background contextual resources.
Great Writers Inspire presents a collection of William Blake resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.
Great Writers Inspire presents a collection of William Shakespeare resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.
Greek and Latin Roots: Part I - Latin is part one of a two part series. This series examines the systematic principles by which a large portion of English vocabulary has evolved from Latin and (to a lesser degree) from Greek. This book focuses on Latin roots. A link to the second part focusing on the Greek roots can be found below. Part I will try to impart some skill in the recognition and proper use of words derived from Latin. There is a stress on principles: although students will be continually looking at interesting individual words, their constant aim will be to discover predictable general patterns of historical development, so that they may be able to cope with new and unfamiliar words of any type that they have studied. They will be shown how to approach the problem by a procedure known as “word analysis,” which is roughly comparable to the dissection of an interesting specimen in the biology laboratory. The text assumes no previous knowledge of Latin, and does not involve the grammatical study of this language—except for a few basic features of noun and verb formation that will help students to understand the Latin legacy in English. Although there will be some attention paid to the historical interaction of Latin with English, this text is definitely not a systematic history of the English language. It focuses on only those elements within English that have been directly or indirectly affected by this classical language. In order to provide the broadest possible service to students, the text emphasizes standard English vocabulary in current use. The more exotic technical vocabulary of science and medicine can be extremely interesting, but is explored in only summary fashion. Nevertheless, this text should be of considerable value, say, to a would-be botanist or medical doctor, if only by providing the foundation for further specialized enquiry.
This book contains all of Smarthistory’s content for the Ancient Aegean, including Cycladic, Minoan, and Mycenaean art.
This book contains all of Smarthistory’s content for Ancient Egyptian art.
This book contains all of Smarthistory’s content for the Ancient Etruscan art.
This book contains all of Smarthistory’s content for Ancient Greek art.
This book contains all of Smarthistory’s content for Sumerian, Akkadian, Neo-Sumerian / Ur III, Babylonian, Assyrian and Persian art.
This book contains all of Smarthistory’s content for the Ancient Roman art.
The “Beginner’s guide” introduces foundational concepts, such as the chronology of Byzantine history, sacred imagery, and wearable objects. Subsequent sections are arranged chronologically, covering the Early Byzantine period (c. 330–700), the Iconoclastic Controversy (c. 700s–843), the Middle Byzantine period (843–1204), the Latin Empire (c. 1204–1261), and the Late Byzantine period (c. 1261–1453) and beyond.
These sections include thematic essays on Byzantine art and architecture, essays that focus on key works (subtitled artworks in focus or architecture in focus), and essays that explore Byzantium’s relationships with other cultures (subtitled cross-cultural perspectives). Finally, we have included questions for study or discussion to encourage teachers, students, and other readers to engage with videos and other content on the Smarthistory website which could not be included in this book format but which we believe richly compliments what is presented here.
This book contains all of Smarthistory’s content for Italian art in the 1300s.
Table of Contents
Part I. A Beginner's Guide
Part II. Florence
Part III. Siena
Part IV. Pisa, Pistoia, Rome