The Open Access Companion to the Canterbury Tales (OACCT) is a volume of introductory chapters for first-time, university-level readers of Geoffrey Chaucer’s The Canterbury Tales. The chapters have been created and edited by professional scholars of Chaucer, and all material is released open access and free of charge for classroom, scholarly, and personal use.

There are two kinds of material available here. Essay chapters explore each of the tales in relation to an engaging topic of broad general interest, while reference chapters provide key context and tools for understanding the Canterbury Tales and its time period. In the future, more material will be added to this project: teaching resources, reader contributions, and new essay chapters that consider tales from additional viewpoints and in relation to different topics.

This textbook takes a distinctly socio-historical approach to introducing Early American literature. The anthology will allow students to engage with literature in exciting and dynamic ways. The table of contents has been drafted, and we are currently looking for introduction authors and help securing public domain texts.

A collection of free and open primary texts in digital formats for the study of early world literature in English translation. Multiple English translations are provided for comparison and study, as well as open secondary and supplemental resources.

"This book presents technical writing as an approach to researching and carrying out writing that centers on technical subject matter. Each and every chapter is devoted to helping students understand that good technical writing is situationally-aware and context-driven. Technical writing doesn’t work off knowing the one true right way of doing things—there is no magic report template out there that will always work. Instead, the focus is on offering students a series of approaches they can use to map out their situations and do research accordingly"--Open Textbook Library.

Inspired by Dr. Kim Hall’s video Why Study Shakespeare Today?, 2:46 (Folger Shakespeare Library, Jul. 11, 2012), this project seeks to link in conversation teachers and learners from diverse places and at different kinds of selective and open-admission, four-year and two-year educational institutions.

Through assignments on and discussions of Shakespeare’s Othello, we can share thoughts on controversial social issues such as race, migration, politics, rule of law, sex, gender, and domestic violence. We can ask about the difficulties, drawbacks, and benefits of studying these topics in Shakespeare’s plays, begin conversations, and hear different perspectives.

This is an anthology of world literature from the early 20th century. It might be a useful resource for discussing the evolution of the canon and the changing ideas of what should be included in a course like this.

The Perseus Digital Library offers primary and secondary sources for the study of ancient Greece and Rome, as well as 19-Century American, Renaissance, Humanist and Renaissance Italian Poetry in Latin, and issues of the Richmond Times Dispatch.

The Process of Research Writing is a web-based research writing textbook (or is that textweb?) suitable for teachers and students in research oriented composition and rhetoric classes.

From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts Movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study.

In the Rhetorical Styles area of the Excelsior OWL, you’ll learn about different rhetorical styles or, essentially, different strategies for developing your essays and other writing assignments. These basic strategies are not all encompassing but will provide you with a foundation and a flexibility to help you as you engage in writing assignments in your introductory writing classes and beyond.

A retired master teacher of English and Comparative Literature teams up with his son, a History professor, on a new version of the writing manual he wrote and used for decades at the University of California, Davis.

This text is a transformation of Writing for Success, a text adapted by The Saylor Foundation under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 License without attribution as requested by the work’s original creator or licensee.

A survey of British literature from 1789 to 1989, this course begins with the poetry of William Blake and ends with the prose of Chinua Achebe and the graphic fiction of Alan Moore and David Lloyd. The literature presented represents a complex range of forms or genres of writing, including poetry, non-fiction prose, and the novel. The course will chart the evolution of the British Empire, from the time of the French and Industrial Revolutions through the expansion of frontiers and the consequences of that expansion.

This open textbook offers students of technical writing an introduction to the processes and products involved in professional, workplace, and technical writing. The text is broken up into sections reflecting key components of researching, developing, and producing a technical report. Readers will also learn about other professional communication, designing documents, and creating and integrating graphics. Written especially for an academic setting, this book provides readers with guidance on information literacy and documenting sources. This book was collected, adapted, and edited from multiple openly licensed sources.

This anthology is a curated collection of openly licensed primary texts, organized thematically, designed to be used as a reader in English composition courses. Includes personal essays, literature, video and audio files, Web writings, and long-form journalism, along with customizable assignments and instructor resources. This anthology was initially curated by Lumen Learning using materials from a variety of open sources.

The Victorian Women Writers Project (VWWP) began in 1995 at Indiana University and is primarily concerned with the exposure of lesser-known British women writers of the 19th century. The collection represents an array of genres - poetry, novels, children's books, political pamphlets, religious tracts, histories, and more. VWWP contains scores of authors, both prolific and rare.

This peer-reviewed World Literature I anthology includes introductory text and images before each series of readings. Sections of the text are divided by time period in three parts: the Ancient World, Middle Ages, and Renaissance, and then divided into chapters by location.

Write Here, Right Now: An interactive Introduction to Academic Writing and Research utilizes PressBooks to create and host a writing e-textbook for first year university students that would effectively integrate into the flipped classroom model. The textbook could also be used for non-flipped classroom designs, as the embedded videos, diagrams and linked modules would act as an all-in-one multimedia textbook geared towards multiple learning styles and disciplines. The components of the textbook, including the embedded videos, could be swapped in and out in order to accommodate a professor’s best idea of his/her own course design.

"Writing Fabulous Features" teaches the art and craft of feature writing to help readers learning to write non-fiction with flair.

Volumes in Writing Spaces: Readings on Writing offer multiple perspectives on a wide-range of topics about writing, much like the model made famous by Wendy Bishop’s “The Subject Is . . .” series. In each chapter, authors present their unique views, insights, and strategies for writing by addressing the undergraduate reader directly. Drawing on their own experiences, these teachers-as-writers invite students to join in the larger conversation about developing nearly every aspect of the craft of writing. Consequently, each essay functions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level.